Anyway, there is something about the process of layering oils that pulls me in. This is far from watercolors, which tend to be a one-shot deal. If I mess up at oils, I just wait a week or so and paint over it. Therein lies my problem: I can never finish a painting. I just get frustrated enough to set it aside and start another, or 4 or 5. By now I am guessing you have understood my love/hate relationship with oil painting. Where Bob Ross finds joy in painting happy little trees, I get pissed when this little tree has taken five attempts and still looks like a damn lollipop.
Well, in a desperate move to try and drum up a little motivation, I have decided to post a few of my paintings here. That way everyone can keep asking how my paintings are going, and I won't be able to ignore them any longer.
Unfinished Works:
Canal somewhere in Holland...You can see here that the boat on the left is a large black hole at this point and is quite distorted. Also, the bridge in the background is a little lumpy on the left-hand side. Then there are those great trees I was talking about, ehh. On a positive note, I do like the general color of the painting with the setting sun warming up the image.
Harbor in Holland
Finished works:
Ganesh
Harbor in HollandThis painting has a similar color palette as the previous one, as when I became frustrated with one I could switch to the other. The row houses on the right are pretty sad, something that frustrates me to no end especially since I went to school for six years to design such things. The trees fading off to the horizon are also a giant mess and need a lot of work.
I don't really have much to say about this one. It was started with the leftover paint from the previous two.
I don't really have much to say about this one. It was started with the leftover paint from the previous two.
GaneshThis painting was inspired from a stock photo found on the internet. I love the colors, but the lighting is pretty flat. I am a sucker for texture, so I did lay the paint on a little thick here.
Because I tend to obsess about the smallest detail, I have forced myself to only use a palate knife while painting. This affords me some added texture while minimizing how long I can focus on one area—in theory at least.
This one I painted for Katie as one of our first presents. NOTE: I have altered the photo slightly here. See, the painting was taking a little longer than I thought it would and Katie's birthday was approaching. In all my haste, and the poor light of my basement room at the time, I gave Katie's right hand six fingers instead of the more human five. The funny things is that it took us almost two years to notice the issue. I am still embarrassed by this and Katie will not let me physically alter the painting. I guess the abstract nature helps it a little bit, as most people don't see two people kissing rather a hummingbird in flight (one of our friends did).

Well here is a blown-up version. Now, correct me if I am wrong, but that sure looks like Katie having the time of her life while kissing me. No?
Because I tend to obsess about the smallest detail, I have forced myself to only use a palate knife while painting. This affords me some added texture while minimizing how long I can focus on one area—in theory at least.This one I painted for Katie as one of our first presents. NOTE: I have altered the photo slightly here. See, the painting was taking a little longer than I thought it would and Katie's birthday was approaching. In all my haste, and the poor light of my basement room at the time, I gave Katie's right hand six fingers instead of the more human five. The funny things is that it took us almost two years to notice the issue. I am still embarrassed by this and Katie will not let me physically alter the painting. I guess the abstract nature helps it a little bit, as most people don't see two people kissing rather a hummingbird in flight (one of our friends did).

Well here is a blown-up version. Now, correct me if I am wrong, but that sure looks like Katie having the time of her life while kissing me. No?


















